




Andy
Dahl, born in West Covina, California grew up in the small Southern
Californian town of Hemet. There he was raised with an older sister by
an aspiring blue-collar family. His mother was an elementary school
teacher, and his father a utilities worker and hobby farmer. Here,
tending to the cows and sheep as well as plowing the field was part of
daily life. After high school Andy left to study studio art and
education at Humboldt State University in the remote Northern
Californian town of Arcata where he experimented with such diverse
mediums as metal sculpture and foundry techniques to printmaking and
ceramics finally focusing advanced studies in painting.
After completing
his studies and making several brief visits to various regions of
Mexico he balanced numerous odd jobs before taking the larger leap to
South America.Andy
worked with youth in the poor neighborhoods of the capital of Paraguay
for over 3 years with the Peace Corps. He coordinated efforts with
youth in these marginalized barrios in community centers, schools and
with various non-profit organizations. Andy gained many life-changing
experiences (not to mention 2 languages) that would profoundly affect
him and his painting. These revelations spawned several exhibitions in
Asunción highlighting moments that range from the traumatic to the
inspirational portraying local Paraguayan individuals and their
struggle to progress in the second poorest but culturally rich, and yet
very hidden country in South America.
Andy’s
artistic and social interests have also taken him to Bolivia where he
completed a 7-month project called Personal Development through the
Arts sponsored by a grant through U.S. Embassy focused on youth in both
Santa Cruz and El Alto. After political unrest forced his evacuation
he returned to the U.S. where he is currently teaching at an urban high
school New Orleans.
My
paintings are on the one hand reflective expressions of the life I
lead, and on the other, formal explorations in paint. Living an
important life and doing so passionately is how I find the drive (and
maybe necessity) to create. It is my sincere mission to live my short
life with meaning, and thus human interactions are the main focus of my
attention. Friends, family, community and my students are what fulfill
my existence. However, an apparent dichotomy occurs where from there I
retract to a solitary state of production. Through a lengthy laborious
process I design, construct, sketch and paint all of my multi-canvas
works. What I refer to as “my true creative moment” where paint actually
touches canvas lasts only a short time. My subjects are generally
people that I know (some more intimately than others) and so my formal
obsessions with color, form, balance, temperature, expression, etc. are
fueled by this connection. Often they serve as a tribute to those
individuals or humanity in general, but sometimes as undisclosed
commentaries on the nature of our relationship. In the end my paintings
are a reason for a coming together of people from diverse situations,
and the facilitation of that experience motivates my entire process.
- Andy Dahl